唐前文学作品对《招魂》《大招》的接受——南方想象的建构  

Tang Former Literature on the Zhao Hun and Da Zhao to Accept——Southern Imagine Construction

作　　者：方言[1] 

机构地区：[1]辽宁师范大学,辽宁大连116081

出　　处：《忻州师范学院学报》2016年第3期42-45,共4页Journal of Xinzhou Teachers University

摘　　要：从《招魂》《大招》开始,文人笔下的南方由推测想象一步步到真实细致。《招魂》《大招》通过有限的自然现象推测出的南方,影响着文人笔下的南方和古人对南方的认识。南方想象究竟是如何形成,它给文学带来了什么。从与楚辞同时代的《山海经》等作品到魏晋、到唐,后世文人在作品中所展现的南方,无论是想象还是写实,都与这种想象有着密切关系。而楚辞作为一种特殊载体,不仅仅是文人模仿的对象,更是将这种观念与不断进展的实际相结合,构成了不同时代的人想象中的南方。Begin with Zhao Hun and Da Zhao,The south from the literati＇s pen from conjectural imagination to the true and meticulous into steps. Zhao Hun and Da Zhao through the limited natural phenomena inferred south,affecting the literati of the South and the ancient knowledge of the South. How to from the Southern imagine,what it brings to the literature. The South in the literature,from Chuci poem contemporary literature,such as Shan Hai Jing,to the Wei,Jin,to Tang,later writers,no matter imagination or realistic,are closely related with this kind of imagination. However,Chuci,as a special carrier,not only the object of imitation by other literati,but also combine this notion with the continue development of practice,which constitute a human imagination at different times in the south.

关 键 词：《招魂》 《大招》 南方 想象 自然环境 

分 类 号：I222.3[文学—中国文学]