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机构地区:[1]南京大学外国语学院
出 处:《外国文学研究》2016年第3期152-160,共9页Foreign Literature Studies
基 金:国家社科基金重大项目"战后世界进程与外国文学进程研究"【项目批号:11&ZD137】的阶段性成果
摘 要:现实主义文学一度遭到后现代思潮的贬抑。在近几十年的理论探索与创作实践中,现实主义积极应对自身的"真实/虚构"悖论,表现出明显的艺术自觉,重新获得了学界的关注。当代现实主义文学及其理论呈现出兼收并蓄的开放态势,对文本虚构性与语言建构性的认识增强,并向着创作手法多元化、理论视角多样化发展。现实主义的新发展努力保持艺术对外部世界的指涉和对现实生活的关注,并在与后现代主义杂糅的过程中坚持了摹仿性的诗学立场。Realist literature was once deprecated by postmodernist thoughts. However, in recent decades it has been actively trying to cope with its own "truth/fiction" paradox, and has shown remarkable artistic self-awareness. Realism now regains attention from the academia. Contemporary realist literature and theories display open-mindedness. With a clearer understanding of textual fictionality and language's constructiveness, realist writing skills and theoretical perspectives tend to move in the direction of diversity. Realism in its new development insists on referring to the real world, and it always retains mimetic poetics however it is mingled with postmodernism.
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