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作 者:王丽君[1,2,3] 张亮[1,2,3] 张媛媛[1,2,3] 干倩倩 葛林杰 王晓华[1,2,3] 司程文 付成全 雷玉华[1,2,3] 白彬[1,2,3] 董华峰[1,2,3]
机构地区:[1]四川大学考古学系,四川成都610064 [2]成都文物考古研究所,四川成都610072 [3]安岳县文物局,四川安岳642350
出 处:《敦煌研究》2016年第3期35-45,共11页Dunhuang Research
基 金:国家社科基金重大项目“西南唐宋石窟寺遗存的调查与综合研究”(13ZD&101);四川大学中央高校基本科研业务费研究专项项目(SKZD201403)
摘 要:菩萨湾摩崖造像位于四川省安岳县岳阳镇新村,现存造像19龛,题材丰富,有千佛、西方净土变、千手观音、五十三佛、十方佛等,第5龛发现一则说明造龛原由的题记。依据造像题材、风格及题记等,造像分属唐宋、清至现代两个大的时段,唐宋时期造像数量较多。There is a cliff sculpture of the Pusawan, or Bodhisattva Bay, in Yueyang Town, Anyue County,Sichuan Province, consisting of nineteen niches filled with various Buddhist sculptures. Many motifs and classic Buddhist figures have been found, including the thousand-Buddha motif, Pure Land illustrations, thousand-armed and thousand-eyed Avalokitesvaras, Fifty-three Buddhas, Buddhas of the Ten Directions; even an inscription explaining why these sculptures were made is present in niche five. According to the contents and styles of the sculpture as well as the inscription, the sculptures were mainly made during two periods, the first during the Tang and Song dynasties and the second from the Qing dynasty till today. The work from the former period accounts for the majority of the sculptures.
分 类 号:K879.3[历史地理—考古学及博物馆学]
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