现代徽式家具雕刻的布局、结构、样式与实现途径研究  

Modern Hui Style Carved Furniture Layout,Structure,Style,and the Way to Realize

作　　者：孙强[1] 

机构地区：[1]蚌埠学院艺术设计系,安徽蚌埠233000

出　　处：《枣庄学院学报》2016年第4期136-140,共5页Journal of Zaozhuang University

基　　金：2014年安徽省教育厅重点项目"现代家具设计视野下的徽派雕刻艺术研究"(项目编号:SK2014A304);2014年度蚌埠学院设计艺术学重点学科建设项目[2014]第155号阶段性成果

摘　　要：徽州雕刻作为一种极具传统艺术特色的民俗文化遗产,是现代中式家具设计中重要的装饰元素。本文从符号学的角度对徽式家具雕刻的布局、题材、形式及意义特征进行了细致的梳理,从功用学与人机工程学的视角对现代家具设计中对徽式雕刻的承袭与创新进行系统分析,同时对当前主要的现代徽式雕刻工艺进行了介绍,以期为现代中式家具设计在民俗装饰应用方面研究的缺失做一有益的补充。Huizhou carving as a very traditional art characteristics of folk cultural heritage,modern Chinese furniture is an important decorative element. From the perspective of semiotics layout,subject matter,form and meaning characteristic emblem carved furniture were carefully combed,from the perspective of learning function and ergonomics of modern furniture design and innovation of inherited emblem engraving were system analysis,while the current major modern logo engraving process was introduced in order to design decorative applications missing in folklore studies of modern Chinese furniture to make a useful complement.

关 键 词：徽州雕刻 家具 工艺 设计 

分 类 号：J502[艺术—艺术设计]