从性别视角考察端木蕻良小说中的女性形象  

A Study of the Female Images in Duanmua Hongliang's Novels from Gender Perspective

作　　者：陈娇华[1] 

机构地区：[1]苏州科技学院人文学院

出　　处：《中华女子学院学报》2016年第2期79-85,共7页Journal of China Women＇s University

摘　　要：端木蕻良是"东北作家群"重要代表作家,也是一位擅长刻画女性形象的男作家,他塑造了许多性格各异、神态生动的女性形象。但由于作者男性中心意识的潜在影响和拘囿,这些女性不是被理想化和神圣化为女神/地母形象,就是被扭曲、变形为尤物形象,或者沦为承载意识形态观念的符码。这既与作者自幼的生活环境及其母亲、萨满教文化及现实复杂斗争形势的影响分不开,也给创作的艺术审美带来了一定的遗憾。Duanmua Hongliang was an important representative of the Northeast Writers Group known for portraying the female image. But with the potential impact and limitations of the male centered consciousness, such images became either idealized as that of a sacred Goddess or mother image, distorted for YuWu, or symbolized as part of the author’s ideology. This was not only due to the influence of his life and environment, but also by Shamanistic culture and the realities of daily struggle.

关 键 词：端木蕻良 女性形象 男性中心意识 萨满教文化 

分 类 号：I206[文学—中国文学]