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作 者:张妍[1,2]
机构地区:[1]大连外国语大学国际艺术学院,辽宁大连116044 [2]东华大学纺织学院,上海201620
出 处:《丝绸》2016年第7期74-80,共7页Journal of Silk
摘 要:运用考古学、文献学的观点和实物、图像、文献互证的研究方法,对中国古代服装形制、中国古人坐姿和中国古代坐具形态的关系进行分析研究,研究资料主要为绘画、雕塑作品、木俑及出土实物等。研究发现,三者之间有着某些关联性,上衣下裳、上下连属的服装形制影响了以跪坐为主要起居方式的坐姿,从而决定了此时的坐具形态为低矮型。上衣下裤的服装形制,为高型坐具的普及提供了必要条件,因而推动了坐姿由跪坐向垂足坐的转变。This paper takes the viewpoints of archaeology and philology and applies the research method of mutual demonstration of material objects,images and literatures to study the relationship among the form of Chinese ancient costumes,sitting postures and seating devices. The research materials mainly include paintings,sculptures,wooden figurines and unearthed objects. And it turns out that there is certain relevance among the above three. The costume form of "Shang Yi Xia Shang"( upper part of coat and lower part of dress),and "Shang Xia Lian Shu"( a one-piece long dress) affect the sitting posture of sitting on heels. Therefore,the form of seating device is low and short. The form of "Shang Yi Xia Ku"offers necessary conditions for popularizing tall and high sitting devices and thus drives transformation from sitting on heels to kneeling to sitting.
分 类 号:TS941.12[轻工技术与工程—服装设计与工程] K876.9[历史地理—考古学及博物馆学]
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