论我国民间音乐的知识产权保护——基于陕西传统戏曲、民歌的特征  

On Intellectual Property Protection of Folk Music: Based on Characteristics of Traditional Opera and Ballad in Shannxi Province

作　　者：杨怡悦[1] 

机构地区：[1]西北大学法学院,陕西西安710127

出　　处：《西北大学学报（哲学社会科学版）》2016年第4期118-123,共6页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省知识产权战略研究课题(ZL2015-05)

摘　　要：陕西的传统戏曲、民歌能够在一定程度上反映出我国民间音乐具有由传统社群长期创造、固定旋律节拍形式、特殊演出方式等特点。如果以现行《著作权法》第六条所规定的"作品"作为其著作权保护对象,那么具备上述特征的民间音乐就会由于受独创性、保护期限的制约以及不便于衍生作品署名等原因而难以得到全面保护。有鉴于此,将民间音乐的保护对象确立为"表达"而非"作品",并建立相应的法律制度,才是更为妥善的保护方式。Traditional Opera and Ballad in Shannxi Province could somehow reflect characteristics of Chinese folk music, including particular stereotypes, special acting styles and particular creators. Supposing that the objects of protection were ＂works＂, folk music would be difficult to receive comprehensive protections due to many reasons. Therefore, it would be a more appropriate choice for legislators to identify objects of protection as ＂expressions of folk music＂ instead of ＂works of folk music＂, and to build corresponding legal systems .

关 键 词：戏曲 民歌 著作权 民间音乐作品 民间音乐表达 

分 类 号：D923.4[政治法律—民商法学]