《清晨印象》:王尔德诗歌中的城市书写  

"Impression du Matin":Oscar Wilde Writing about the City

作　　者：程汇涓[1] 

机构地区：[1]上海外国语大学国际工商管理学院,上海201600

出　　处：《美育学刊》2016年第4期72-78,共7页Journal of Aesthetic Education

基　　金：教育部人文社科规划基金项目(13YJA752014);教育部人文社科青年基金项目(15YJC752003);上海市晨光计划项目(14CG32);上海市高校青年教师培养资助计划(YQ13CHJ01);上海外国语大学校级一般项目(KX181110)的阶段性研究成果

摘　　要：王尔德诗歌中的"城市"意象经历了由虚入实的转变过程。在《清晨印象》中,他运用诗歌语言描绘了一个日常生活中的城市图景,其诗歌中的城市书写受到了印象主义、拉斐尔前派以及惠斯勒的影响,展现出跨艺术媒介表达的特点,并在取材方面表现出现代性意识。其城市诗歌中"孤独的游荡者"的形象具有维多利亚社会和现代工业社会的过渡性特征,但还不具有理论性的突破,仍未脱离城市空间中的功能性角色。The image of ＂ city＂ in Wilde＇s poetry has undergone the process of transformation from imaginary being to factu- al existence. In ＂ Impression du Matin＂ , he paints with poetic language a portrait of the city in everyday life. Wilde＇s city writing has been influenced by Impressionism, Pre-Raphaelites and Whistler. It demonstrates the characteristic of cross- media expression and displays the consciousness of modernity in its adoption of subject matters. The image of ＂solitary wan- derer＂ in this poem carries with it the transitional characteristics of both the Victorian society and the modern industrial socie- ty, but it still lacks a theoretical breakthrough and thus cannot escape from the functional role in an urban space.

关 键 词：奥斯卡·王尔德 《清晨印象》 绘画 诗歌 城市书写 

分 类 号：I562.072[文学—其他各国文学]