绚烂之极归于平淡——从《文学发凡》到《文论十笺》  

Splendour Tends to Common——the Change from Wenxue Fa Fan to Wenlun Shi Jian

作　　者：李婧[1] 

机构地区：[1]中国海洋大学文学与新闻传播学院,青岛266100

出　　处：《德州学院学报》2016年第3期60-65,共6页Journal of Dezhou University

基　　金：国家社科基金后期资助项目(13FZW071)

摘　　要：《文论十笺》是已故著名文史学家程千帆先生的一部代表作,始刊于1943年,题名《文学发凡》。作为抗日战争时期的产物,《文学发凡》多有对其时崇洋媚外学风的批判,表现出千帆先生倡导文化上自尊自强的爱国精神,《文学发凡》一书因此具有独特的价值。但是由于时移世易以及程千帆个人思想的转变,1983年再版的《文论十笺》却删改了这些内容。从《文学发凡》到《文论十笺》的这种变化,对研究20世纪学术史,有广泛的借鉴意义,应当引起充分的重视。Wenlun Shi Jian is the representative work of the late famous literature and history scientist Cheng Qianfan . It was frist published in 1943, named Wenxue Fa Fan. Being the product of Sino-Japanese War time, Wenxue Fa fan has criticized the phenomenon that warshipping and having blind faith in foreign things, which displays Mr Cheng＇s patriotic spirit in initiating the self--respect in Chinese culture. Therefore , Wenxue Fa Fan has the unique value. But as the time moved and Mr Cheng＇s individual thought transformed, Wenlun Shi Jian has deleted these contents when reprinted in 1983. This change from Wenxue Fa Fan to Wenlun Shi Jian, has demonstrated us how the great change of 20th century times has influenced on the modern academic work. This has been neglected in former studies, but should attract our sufficient attention at present.

关 键 词：程千帆 文学发凡 文论十笺 

分 类 号：I206[文学—中国文学]