新编梨园戏《御碑亭》的传统性与现代性  

New Liyuan Opera “Royal Pavilion” of Tradition and Modernity

作　　者：张宇[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《闽台文化研究》2016年第2期105-109,共5页Fujian-Taiwan Cultural Research

摘　　要：新编梨园戏《御碑亭》上演后引起了强烈的反响,完美诠释了传统性与现代性的结合。梨园戏《御碑亭》,从题材选择、人物设置、演员身段、唱词唱腔、意境氛围,无不与传统文化一脉相承;浓郁的传统氛围中又透有现代气息,剧中运用了人性化解读、女性叙事的现代手法。梨园戏《御碑亭》以实际行动,实践了习近平总书记所提出的"弘扬中华优秀传统文化,要处理好继承和创造性发展的关系,重点做好创造性转化和创新性发展"这一命题,并对我国当代新文化的建设富有启发意义。The new liyuan opera ＂Royal pavilion＂ caused a strong reaction, and perfectly interpreted the combination of tradition and modernity.Liyuan opera ＂Royal pavilion＂, from the theme selection, the character set, actors, instruments and singing, artistic atmosphere, are all with the traditional culture;but the traditional atmosphere is also with the modernity, from he use of modern human interpretation,female narrative.Liyuan opera ＂Royal pavilion＂ take concrete actions, practice the proposition of President xi that is to carry forward Chinese excellent traditional culture, to deal with the relationship between inheritance and creative development.This had the rich enlightening significance on the construction of contemporary culture in China.

关 键 词：《御碑亭》 传统性 现代性 

分 类 号：I207.3[文学—中国文学]