“简化”与“丰富”:美学视野中的东方舞蹈  

“Simplification”and “Multiplicity”: Research on Dance in the Perspective of Oriental Aesthetics

作　　者：闫桢桢[1] 

机构地区：[1]北京舞蹈学院舞蹈研究所,北京100081

出　　处：《北京舞蹈学院学报》2016年第3期28-32,共5页Journal of Beijing Dance Academy

摘　　要："东方"作为独特的地域概念与文化概念有其丰富的内涵,"东方"以及"东方美学"视野的形成,一方面呈现出应对"西方"话语时,非西方文化的弱势焦虑,另一方面呈现出将复杂的"东方"进行简化的美学叙事的趋势。正是东方美学的"简化"逻辑,让我们格外关注"东方"内部舞蹈形态的丰富性和差异性,以避免减损东方各国多样化的审美经验。东方舞蹈的两大美学形态及其内部的复杂区分也对东方舞蹈研究提出了美学层面与形态层面的双重要求。As a special conception of geography and culture, ＂oriental＂ is of a rich connotation. The formation of the vision of ＂Oriental＂ and ＂Oriental Aesthetic＂ can be considered as a consequence of anxiety which is caused by the weak position of non- western culture in the encounter with western culture. Besides, ＂Oriental＂ and ＂Oriental Aesthetic＂ present a simplified understanding about complex oriental, which enables us pay more attention to the richness and difference of dance within ＂Oriental＂ to avoid the loss of various aesthetic experience. The research of ＂ Oriental Dance＂ should be unfolded aesthetically and morphologically, to meet the requirement of two main aesthetic forms and complicated varietiesof oriental dance .

关 键 词：东方 东方美学 东方舞蹈 美学形态 

分 类 号：J701[艺术—舞蹈]