透视性舞台调度研究的理论依据  

The Theoretical Foundation of “Perspective Quality”Stage Management Research

作　　者：郑萌[1] 

机构地区：[1]广东工业大学通识教育中心,广州510000

出　　处：《北京舞蹈学院学报》2016年第3期97-102,共6页Journal of Beijing Dance Academy

基　　金：2015年度国家社科基金艺术学项目"现当代舞蹈创作的‘透视性’舞台调度研究"(项目编号:15CE139)课题论文

摘　　要：本文从"绘画"与"舞蹈"这两种"艺术幻象"共有的符号特性入手,将绘画原理引入舞台调度领域,提出"透视性舞台调度"的舞蹈创作概念。在分析了国内外已有研究成果的基础上,指出"舞台调度是舞蹈空间一切活动位置的视觉创造"、"透视性舞台调度是以绘画透视原理进行舞蹈空间设计的创作技法"、"透视性舞台调度能有效提升舞台空间塑造力"等观点,旨在为舞台调度研究开拓创造性思维、完善舞蹈舞台空间调度编舞技法、推进舞台调度语言系统构建,从而为舞蹈创作实践提供一定的理论依据。This paper introduces the shared symbolic characteristics of ＂painting＂ and ＂dance＂ the two ＂artistic illusions＂, in the context of ＂ spatial thinking＂ , bringing painting principles into the field of stage management, and puts forward the concept of ＂Perspective Quality＂ stage management in dance creation. Based on the analysis of existing research from within China and overseas, the paper clearly expresses that ＂ stage management is the creation of visual sense from dance space of all mobile positions＂ , ＂Perspective Quality＂ stage management as a creative dance space design technique is derived from the perspective painting principle, and ＂Perspective Quality＂ stage management can effectively enhance stage space shaping ability. The paper aims to develop creative thinking in stage management study, improve dance stage space management choreography techniques, and promote the construction of a stage management language system, in order to provide a theoretical basis for the practice of dance creation.

关 键 词：空间思维 透视 舞台调度 绘画技法 舞蹈幻象 空间塑造力 

分 类 号：J711[艺术—舞蹈]