唐明皇故事及其研究现状与发展前景——以中国叙事文化学为依据  

The Current Research and Its Prospects of the Story of Emperor Tang Ming-huang ——Based on the Chinese Narrative Culture

作　　者：李春燕[1] 

机构地区：[1]枣庄学院文学院,山东枣庄277160

出　　处：《天中学刊》2016年第4期18-22,共5页Journal of Tianzhong

摘　　要：唐明皇是中国历史上的传奇帝王。唐明皇故事自唐至清呈现滚雪球式的生成机制,散点素材不断整合,新故事不断涌现,形成后妃、君臣、好道、梨园四大情节单元系统。20世纪以来,唐明皇故事研究取得了一些成果,也存在作品研究不均衡、文化分析难以深入等问题。以中国叙事文化学方法,系统研究唐明皇故事,可以发掘一大批重要文献,梳理各情节单元的演变轨迹,提炼梨园文化的内涵,对把握梨园文化精神和弘扬优秀传统文化,都具有重要意义。As a legend emperor in Chinese history, Tang Ming-huang＇s story was getting richer with the new found materials and elements. There has come to a system of his story with the concubines, ministers, court wizards and theatrical culture in Chinese classical literary works. Though it has been studied by many scholars since the 20th Century, there still exist many problems such as unbalanced studies and shallow cultural analyses. To study the story of Emperor Tang Ming-huang from the aspect of Chinese narrative culture can dig into more historical documents, comb the evolution of each plot and refine the connotation of theatrical cultural.

关 键 词：唐明皇故事 中国叙事文化学 梨园文化 

分 类 号：I206[文学—中国文学]