没有灵魂的缪斯和被驯化的金字塔 关于当代中国文化与建筑的两个比喻  

Lili the Soulless Muse and Domestication of the Pyramid Two Metaphors on Contemporary Chinese Culture and Architecture

作　　者：刘晨[1] 

机构地区：[1]清华大学建筑学院

出　　处：《时代建筑》2016年第3期46-51,共6页Time + Architecture

摘　　要：21世纪以来,中国经济高速增长,社会经历巨大变革,从物质生产到精神生活和创造行为无不受到深刻影响。西方化侵蚀并塑造着中国的城市生活,繁荣的表象下,文化内核正在收缩;与此同时,建筑生态也暴露出形式与内容的离析。文章以"Lili"和"被驯化的金字塔"这两个装置艺术形象为喻,解析当代中国西方化这一普遍现象与博物馆建设这一特别行为。Since the 21st century, China＇s economic boom has brought about enormous social-cultural changes, profoundly affecting people＇s spiritual life and creative activities. Chinese urban life is both eroded and shaped by the process of westernization, and material production is promoted at the great expense of cultural authenticity. The gulf between forms and contents is also perceived in the f^eld of architecture. This essay uses two installation works - ＂Lili＂ and ＂Domestication of A Pyramid＂ -as visual metaphors to comment, respectively, on the universal phenomenon of westernization and the specit^c phenomenon of museum building boom in contemporary China.

关 键 词：“Lili” 西方化 驯化 金字塔 博物馆 

分 类 号：TU-05[建筑科学—建筑理论]