舞剧《粉墨春秋》的艺术价值分析  

The Artistic Value of Drama Life——Two Actors and Their Life Stories

作　　者：董江河[1] 

机构地区：[1]晋城职业技术学院,山西晋城048026

出　　处：《晋城职业技术学院学报》2016年第4期71-73,共3页Journal of Jincheng Institute of Technology

摘　　要：大型原创舞剧《粉墨春秋》首演以来,反响热烈、好评如潮。其在创作、演出过程中坚持创新,摒弃了传统舞剧以男女主角爱情故事为线索的情节模式,具有戏化舞的特点;在民族舞蹈词汇中融入戏曲表演艺术,使其更加独特新颖;舞美设计结合戏曲和时代风尚,使观众看到的不只是戏剧人生的故事,更是对戏曲绝技与民族精神的深入了解。这种探索与创新,不仅推动了戏曲艺术的普及与传播,也使中国的文化艺术走向世界舞台。Since the premiere of the large original dance play Drama Life---Two Actors and Their LifeStories, it has received applause and been widely praised by both critics and audience. During its productionand performance, innovation is insisted on all the time. It breaks the plot mode which used love story as a clueof drama. The dance play is characterized by the opera fragment into it. Furthermore, it creates the uniquedance which combines opera performing and traditional dancing. The opera stage design mixes with opera char-acteristic and modern fashions, which makes the audience not only know the dramatic life stories, but also understand the opera skills and national spirits. This innovation and exploration can not only drive the popularization and dissemination of the traditional opera art, but also make Chinese cultural art appear on the worldstage.

关 键 词：舞剧 粉墨春秋 艺术价值 

分 类 号：J723[艺术—舞蹈]