语言诗写作:“诗到文字为止”的先锋实验  

Language Poetry Writing: A Pioneer Experiment of “Poetry Ending up with the Characters”

作　　者：白杰[1,2] 

机构地区：[1]太原师范学院文学院,山西太原030012 [2]南开大学文学院,天津300071

出　　处：《海南大学学报（人文社会科学版）》2016年第4期118-123,共6页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家社会科学基金项目(11CWW004);山西省高等学校哲学社会科学研究项目(2013247)

摘　　要：由车前子、周亚平领军的中国语言诗派,顺应20世纪80年代诗坛学界的"语言论转向"大潮,提出"诗到文字为止"的口号。这看似是对第三代诗歌主潮"诗到语言为止"的延展,但实质构成新一轮反动。"文字"斩断了语言系统中"能指"与"所指"的链接,使诗歌既不依附生命主体也不追逐历史寓意,而仅凭借语言符号自有的形体声响去呈现事物之本原,揭示事物之间的普遍联系。语言诗派力图跳脱历史和生命而直接观照事物,确在一定程度上降解了人类极尽膨胀的主体意志和价值理念,但也难逃自我悖逆、自我消解的厄运,毕竟文字原本就是人类生命之投影、社会历史之结晶。The Chinese Language Poetry School led by Che Qianzi and Zhou Yaping conforms to the ＂linguistic turn＂ in the academia of poets in the 1980s, putting forward the slogan of ＂poetry ending up with the characters＂. This trend seems to be the extension of ＂poetry ending up with language＂ as the mainstream of the Third Generation Poetry and actually constitutes a new circle of rebellion in nature though. ＂Characters＂ cut off the interlinkage between ＂the signifier＂ and ＂the signified＂ in the language system, which makes the poetry neither depend on the subject of life nor seek the historical meaning, while taking advantage of the images and sounds of linguistic signs themselves to reveal the origin of things as well as their universal interconnections. The Language Poetry School endeavors to extricate itself from history and life to view things directly, which definitely degrades the swelling subjective will and idea of value of the human being to some extent. However, it is still difficult to escape misfortune of self-rebellion and self-digestion since characters in nature are the projection of human life and the essence of social history.

关 键 词：语言诗 第三代诗歌 车前子 语言本体 

分 类 号：H109.4[语言文字—汉语] I207.25[文学—中国文学]