贵州贞丰红岩尾饰人物岩画与青海“舞蹈纹彩陶盆”的人物比较研究  

Comparative Study in Guizhou Zhenfeng Red Rock Cliff Painting of the Characters with a Tail and Qinghai Province “Dance Lines Painted Pottery Basin” of the Characters

作　　者：牟孝梅[1] 杨萍[1] 张丽娜[1] 

机构地区：[1]遵义师范学院美术学院,贵州遵义563002

出　　处：《重庆与世界》2016年第26期6-12,共7页The World & Chongqing

基　　金：国家社会科学基金课题"中国西部岩画遗产的保护;开发与利用研究"(10BM2030);遵义师范学院2015年博士基金资助项目(遵师BS[2015]25号)

摘　　要：贵州贞丰红岩岩画中有13个造型趋同的尾饰人物图像,人物图像呈牵手舞蹈状,此类型人物在中国西南涂绘岩画系统中,迄今只在贞丰红岩一个岩画点发现。牵手尾饰舞蹈人物图像样式,在中国西北青海和甘肃省的中国新时期时代马家窑文化遗址中的彩陶盆中有相同的人物表现样式。中国西南和西北的古代造型艺术中有同样的人物图式绘制在不同的载体上,这个现象为当今研究古代民族美术、民族文化、民族迁徙的重要资料。为研究两地民族艺术提供一个新的视角,就两地在不同载体上绘制的尾饰人物进行比较分析,梳理两地相同艺术图像的渊源和变迁。Guizhou Zhenfeng Red Rock Cliff Painting has 13 characters with a tail. At the same time 13 characters are holding hands. The characters with a tail were only found in Guizhou Zhenfeng Red Rock Cliff Painting of red petroglyphs of the southwest China. The 13 characters have the same characters in the new era style of painted pottery basin from the northwestern Qinghai and Gansu provinces in China. In China＇ s southwest and northwest, there appears the same character image on a different carrier which is the study the important information for the ancient folk art, folk culture and ethnic migration. We will analyze the characters with a tail of on a different carrier in China＇ s southwest and northwest and comb the same origin and vicissitude of art image in the two places to provide a new perspective in the study of the characters with a tail of on a different carrier in China＇ s southwest and northwest.

关 键 词：贵州贞丰红岩岩画 尾饰人物图像 舞蹈纹彩陶盆 

分 类 号：K879.4[历史地理—考古学及博物馆学] J205[历史地理—历史学]