“后集成时代”中国戏曲音乐研究的思考——以《中国戏曲音乐集成·山西卷》为例  

The Contemplation on the Research of Traditional Chinese Opera Music in the Era of Post-Integration——Take Shanxi Volume in the Integration of Traditional Chinese Opera Music for Example

作　　者：刘婷婷[1] 

机构地区：[1]长治学院音乐舞蹈系,山西长治046000

出　　处：《山西大同大学学报（社会科学版）》2016年第3期96-100,109,共6页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西省社科联重点课题"晋东南地区秧歌戏音乐研究"(SSKLZDKT2015083);长治学院基地课题"上党地区秧歌戏声腔研究"(201501)

摘　　要：《中国戏曲音乐集成》与其他文艺集成志书共同建构了"中国民间文艺的万里长城",作为具有较高文献价值的巨著,其在历史中的贡献和作用显而易见,但是由于受到诸多因素的限制,集成中也存在着有待后人深入挖掘、继续研究的课题。本文通过对《中国戏曲音乐集成·山西卷》的分析,试图寻找出卷本中提到却没有深入探讨的问题,以便为今后戏曲音乐研究的方向与角度提供一个借鉴与参考。Along with other art integration works, the Integration of Traditional Chinese Opera Music constitutes the Great Wall of Chinese folk art. As a great work with such a high value, its contribution and role are so obvious in the history. However, due to the various restricted factors, in the process of integration, there are still subjects existing to be explored and studied further. Through the analyses of Shanxi Volume in the Integration of Traditional Chinese Opera Music, the paper intends to discover the problems mentioned but not discussed deeply, in order to offer a reference for the future study on the opera music.

关 键 词：后集成 戏曲音乐 《中国戏曲音乐集成》 

分 类 号：J653[艺术—音乐]