音乐舞蹈史诗《东方红》与《复兴之路》的时代特征  

Characteristics of Times in Oriental Sunrise and The Road to Rejuvenation

作　　者：孙菡[1] 蔡桂如[2] 

机构地区：[1]泰州学院音乐学院,江苏泰州225300 [2]泰州学院马克思主义学院,江苏泰州225300

出　　处：《南通大学学报（社会科学版）》2016年第4期107-112,共6页Journal of Nantong University:Social Sciences Edition

基　　金：江苏高校哲学社会科学研究项目(2016SJD760116)

摘　　要：大型音乐舞蹈史诗《东方红》和《复兴之路》是共和国史上两座不朽的艺术丰碑。在生成背景上,它们是不同历史节点的庄重仪式、表现手法迥然的宏伟史诗、具备差异性的时代风格、音韵相区别的奋进号角,且同为艺术家们集体创新的成果。《东方红》与《复兴之路》恪守现实主义美学系,准确地把握了"诗"与"史"、"乐"与"舞"的审美关系,用迥然不同的表现手法,塑造出各自鲜明的时代特征。Oriental Sunrise and The Road to Rejuvenation, two large music and dance epics, are two immortal artistic monuments in the history of P.R.C.. In the background of composing, both of them are solemn ceremonies of different historical times but different expressions of large epics. They are of different styles of times and of various melodies but are the collective creation of artists. Oriental Sunrise and The Road to Rejuvenation insist on aesthetic principle of realism,and accurately grasp the relationship between poetry and history, and music and dance. Meanwhile, they apply completely different expressions to create their own styles.

关 键 词：音乐舞蹈史诗 《东方红》 《复兴之路》 

分 类 号：J721.7[艺术—舞蹈]