20世纪前中国和英美小说海洋意象研究述论  

A Review of Sea Image Studies of Ancient Chinese and Anglo-American Fictions before Twentieth Century

作　　者：马平平[1] 

机构地区：[1]扬州大学外国语学院,江苏扬州225002

出　　处：《扬州大学学报（人文社会科学版）》2016年第4期110-115,共6页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：国家社科基金项目(13BZW084);江苏省高校哲学社会科学研究项目(2015SJB803)

摘　　要：近年来,随着海洋文化研究的逐步升温,文学世界中的海洋意象研究也越来越受到学界关注。但国内外的研究大都聚焦于诗歌的海洋意象,着眼于小说海洋意象的研究尚显薄弱。20世纪前国内的中国古代小说海洋意象研究多局限于明清时期的作品;英美小说海洋意象研究倾向于个别经典海洋小说,且多聚焦海洋的审美意象。无论中国还是英美等国都缺少直接以海洋意象为切入点,沿着意象发展变化的脉络进行的整体性梳理和总结。现有研究基本局限在民族文学内部进行较为封闭的孤立研究,缺乏比较文学视阈下的世界性眼光。In recent years,great attention has been paid to the studies of marine culture,with sea image studies as an indispensable part.Yet the studies of sea image in fictions have been found rather insufficient with most of the studies home and abroad focusing on poetry.For one thing,scholars have shown more interest in studying the sea images of the fictions of Ming and Qing Dynasty,and those of some classic Anglo-American sea fictions which display more aesthetic features;for another,the scholars in both Britain and America have started to see that sea should not be forgotten in sea fiction studies although the studies in this area have not been prosperous in number.Neither in China nor in Britain and America has there been an attempt to initiate a systematic study of the sea images in fictions.And there has been a scarcity of a comparative study between sea images in Ancient Chinese and Anglo-American fictions.

关 键 词：中国古代小说 英美小说 海洋意象研究 

分 类 号：I106.4[文学—世界文学]