《倾杯乐》考论  

Research on Qing Beiyue

作　　者：徐文武[1] 

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2016年第4期63-70,共8页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社科基金项目"唐大曲曲调详考及与词调关系研究"(14ZBW046)

摘　　要：《倾杯乐》源于北周,隋时施于郊庙祭祀,唐初以新辞用于宫廷内宴,盛唐时,作为羯鼓曲与宫廷舞马戏密切结合,配以张说《舞马词》,使用达于鼎盛。安史乱后,随舞马戏快速衰落,盛况不再。唐宣宗亲制《新倾杯》,是为芦管器乐曲。入宋则用于宫廷朝仪乐,同时以旧调创新声,翻入词调。元明以后颇入曲牌。Qing Beiyue originated in the Northern Zhou Dynasty;in the Sui Dynasty,was used as the royal sacrificial music;at the beginning of the Tang Dynasty was used for banquets;during the height of the Tang Dynasty,was taken as a JieGuqu,combined with royal horse＇s dance,and coupled with WuMaCi written by Zhang Yue.After the An Lushan Rebellion,as the rapid decline of horse dance show in the palace of the Tang Dynasty,this prosperous music had lost its status.Emperor of Tang Xuanzong composed a song,called new Qing Beiyue for the music of the reed tube.In Song Dynasty,this piece was used as the royal ceremony,was created new tune and turned into words.During the Yuan Dynasty and Ming Dynasty,this piece was used as the Qupai.

关 键 词：《倾杯乐》 舞马 羯鼓曲 柳永 

分 类 号：I206.2[文学—中国文学]