基于“绵延”理论的非线性建筑审美形态探析  

ANALYSIS ON THE NONLINEAR ARCHITECTURE'S AESTHETIC MORPHOLOGY BASED ON THE "CONTINUITY" THEORY

作　　者：程婧婷[1] 林建群[1] 

机构地区：[1]哈尔滨工业大学建筑学院

出　　处：《城市建筑》2016年第16期114-116,共3页Urbanism and Architecture

摘　　要：基于当代非线性的技术背景和创作模式,本文探析了柏格森(Henri Bergson)"绵延说"对此类建筑形态的影响。引用"绵延"理念诠释建筑的体验、感知等审美活动,通过对非线性建筑形态表意范式的解析,提出其流线无间断性、射线无止境性、空间的意识化三种表征,并指出这种表意范式存在的主旨模糊、体量压力、文脉薄弱等审美缺失,建构其律动蔓延所带来的通感、时间的顺延所带来的联觉、生命绵延而带来的无觉这三个梯度的审美秩序,以期为目前"形"无由、"意"消解的非线性设计提供些许思辨资源。This paper explores the impact of Bergson＇s ＂Continuity＂ theory on this type of nonlinear architecture morphology based on the nonlinear technical background and the creative model. The paper quotes ＂Continuity＂ concept to interpret architecture aesthetic activities such as experience and perception. Through the analysis of nonlinear architecture and its expression paradigm, the paper points out three representations： ceaseless flow, endless ray, and the consciousness of space. And the paper indicates the aesthetic defects of such expression paradigm： the fuzzy ideography, the dimension pressure and the context weakness. Eventually, the paper constructs the aesthetic order of three gradients： synesthesia caused by the continuous rhythm, synesthesia led by the time extension, senselessness brought by the life continuity, in order to provide speculative resources for the unreasonable ＂morphology＂ and disappeared ＂meaning＂ of the nonlinear design.

关 键 词：“绵延” 非线性建筑 审美形态 

分 类 号：TU196.1[建筑科学—建筑理论]