从山水画境视角解读江南私家园林构图艺术  

Analyzing the Art Composition of Private Garden in Jiangnan Area from the Perspective of Chinese Landscape Painting

作　　者：彭历[1] 

机构地区：[1]北方工业大学建筑与艺术学院

出　　处：《华中建筑》2016年第8期182-186,共5页Huazhong Architecture

基　　金：北京市教委科技计划一般项目--北京城市户外生活空间优化气候适应性设计策略研究资助;北方工业大学“青年拔尖人才培育计划”项目资助

摘　　要：江南私家园林与传统山水画在创作者、创作心理、目标追求等方面保持着高度的一致性,画家对画面的构图,造园者对庭园的布局有着相同的创作标准和审美标准。该文从构图艺术在山水画和园林布局中的共通性分析入手,通过动态、景深、虚实、曲折四种构图形式的深入比较分析,从山水画境营造的视角解读江南私家园林在造境中的构图艺术手法,进一步探讨山水画与造园在创作中的互动关系。The private garden in Jiangnan area and tradition landscape painting maintain a high degree of creator, creative mentality and goal. The picture compositions of painter and courtyard layout of garden have the same creative and aesthetic standards. We analyze the commonality between art composition of landscape painting and garden layout in order to read art composition of private garden in Jiangnan area from the perspective of creating artistic conception of landscape painting through comparative analysis of four composition forms, such as dynamic, depth of field, false or true and turns. We will also explore the interaction of creation between landscape painting and garden design.

关 键 词：江南私家园林 山水画 构图 布局 意境营造 

分 类 号：TU-8[艺术—艺术设计]