闽南经验：“陈三五娘”故事的跨剧种改编  

South Fujian Experience: On the Adaptation of Romance of Litchi and Mirror by Crossing Genre of Operas

作　　者：王伟[1,2] 

机构地区：[1]泉州师范学院文学与传播学院,福建泉州362000 [2]厦门大学中文系,福建厦门361005

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2016年第8期10-13,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：2011年度国家社科基金一般项目(11BZW107);中国博士后科学基金第57批面上资助项目(2015M570554);2015年福建省中青年教师教育科研项目(JAS150472);泉州市社会科学规划项目2015年第二期课题(2015E13)

摘　　要：闽南语系戏曲的经典剧目之一"陈三五娘"故事不仅反映闽南市井生活与民间观念形态,而且形构闽南族群共同的文化记忆与审美理想。华东会演得奖本"陈三五娘"作为闽省"戏改"的重要成果,以其反封建的时代主题和与新婚姻法的互文关系,而被方言区外的其他剧种所移植,影响超出传统意义上的"闽南戏曲文化圈"。在这个"古典"与"今典"、乡土性与现代性的跨时空交错中,掌握现代编导原则与技法的新文艺工作者取代了民间艺人而占据主导地位,使之出现了导演中心制下的老故事的新演绎。Romance of Litchi and Mirror reflected daily life and folk ideology on south Fujian, and constructed the common memo- ry and aesthetic ideal. As a result, it became the Conon of South Fujian opera. As the important achievement of reform of traditional opera, its affection transcended the cultural circle of South Fujian drama, with the help of the theme of anti - feudalism and the connection of new marriage law. New literary workers which controlled the contemporary principles of producing and directing replaced the folk artists on between the classic and the new one, localization and modernity. Therefore, the old story was reproduced on director central-

关 键 词：现代性 戏曲改革 历史记忆 闽南戏曲 

分 类 号：J80[艺术—戏剧戏曲]