写在舞步里的诗意和文化梦想——论台湾作家林怀民及其“云门舞集”的艺术表达形式  

Poetry Written in the Dancing Steps and Cultural Dreaming:On Lin Hwai-min and the Artistic Expression in ‘Cloud Gate Dance Ensemble'

作　　者：李诠林[1,2,3] 

机构地区：[1]福建师范大学两岸文化发展研究中心 [2]福建师范大学文学院 [3]国家"2011计划"厦门大学两岸关系和平发展协同创新中心

出　　处：《华文文学》2016年第4期93-101,共9页Literatures in Chinese

基　　金：国家社科基金项目<美国汉学家的台湾文学研究(1970-2012)>(批准号:12BZW104);教育部人文社会科学研究规划基金项目<美国汉学家的台湾文学研究>(项目批准号:12YJA751034);福建省新世纪优秀人才支持计划项目(项目编号:JA13078S)

摘　　要：林怀民创办的"云门舞集",引领了台湾现代舞蹈艺术的发展。"云门舞蹈"把中西舞蹈技艺、文学、音乐、美术、舞台设计、服饰艺术、中国书法和中华武术等多种艺术门类、创意文化和媒介融会贯通,将诗意情绪编入舞蹈,力图充分发挥艺术共通性,以富有诗意的艺术表现形式阐释和传达中华民族文化意涵。"艺术飞地"的踏勘和文化资源的开掘、"文字伤舞"与"舞近于诗"的悖论和张力则体现了其寻找艺术转型路径的努力及其民族文化梦想。‘Cloud Gate Dance Ensemble＇, created by Lin Hwai-min, is a leader in the development of the art of modern dance in Taiwan as it combines multi-artistic genres, creative cultures and media with Chinese-Western dancing techniques,literature, music, fine arts, choreography, costume art, Chinese calligraphy, and martial arts, merging the poetic into the dance, attempting to fully display the artistic connectivity and explicating and conveying the cultural significance of Chinese nation in a poetic art. The reconnaissance of‘Artistic Enclave＇and the excavation of cultural resources, the paradox, and its tension, that‘Words Hurt Dance＇and‘Dance Near Poetry＇have exemplified his search for artistic transformation and national cultural dreaming.

关 键 词：林怀民 云门舞集 艺术表达形式 文化阐释 舞近于诗 

分 类 号：I207.22[文学—中国文学]