考据中的治学新境--夏承焘白石词研究述略  

A New Terrain of Textual Research:On Xia Chengtao's Study on Jiang Kui's Ci-Poetry

作　　者：管琴[1] 

机构地区：[1]《北京大学学报》

出　　处：《文艺理论研究》2016年第3期68-77,共10页Theoretical Studies in Literature and Art

摘　　要：20世纪20年代末,夏承焘先生始治词学,即以白石词研究为重点。对姜白石其人其词的研究,贯穿在夏先生一生的学术研究之中。夏先生的白石词研究包括:破解并勘定白石旁谱,在词籍版本与词人行实考证方面多有辨明,对白石词之词旨探析亦抉发幽微,在考证本事的基础上提出了自己的见解,等等。在此基础上形成的《姜白石词编年笺校》,体大思精,至今仍是古籍笺校之典范。夏先生治白石词,用数十年的工夫为之,去取谨严,务求精练与尽意并重;既沿袭清代朴学的治词特点,同时也融会浙东、浙西学问之长,琐细而不失阔大,繁密而兼具体统,在考据的基础上开辟出20世纪词学的治学新境。Prof. Xia Chengtao started his studies on ci-poetry in the late 1920s, with a focus on Jiang Kuia. Prof. Xia＇s remarkable contributions to Jiang Kui Studies include his final eolloation of Jiang Kui＇s music for ci-poems, textual studies on various editions of Jiang Kui＇s works, and insightful examination and interpretation of Jiang Kui＇s poetic intent upon explorations into his life. His grand and detailed book Annotations to Jiang Baishi＇s Ci-Poems in Chronological Order is a classic and model in ancient texts collation and research, and his methods opens a new terrain of textual criticism for 20th-century study on ci-poetry. Keywords： Xia Chengtao; Jiang Kui; Songs of Baishi the Taoist; music of Ci-Poems

关 键 词：夏承焘 姜夔 白石道人歌曲 词乐 

分 类 号：I207.23[文学—中国文学]