物的文化性与物质文化的归路  

The Cultural Nature of Material Objects and the Return Route of Material Culture

作　　者：徐亮[1] 

机构地区：[1]浙江大学中文系

出　　处：《文艺理论研究》2016年第3期136-141,共6页Theoretical Studies in Literature and Art

基　　金：国家社科基金项目"‘后理论'的文学转向及其意义研究"[项目编号:15BZW003]

摘　　要："物"是一个符号,存在于人类的意义区分和表达系统中,所以它是一种文化观念。消费社会的物具有体系性,由文化观念主导,带有人的方向感。由于展望是消费社会人与物的关系方式,也由于物质文化的落脚点在物,消费社会的物质文化的发展表现为永无止境的对物的追逐。这项设计基于物的实在性却回避了死亡,其基点极不可靠且引发面对死亡时的无助感。符号的转义运作是多向的,必须选择好的而不仅仅是真的方向。仅止于物的设计的文化肯定不能把我们带向好的去处。Material object is a sign which exists in the system of meaning discrimination and expression, and it is a concept in culture. Material objects in consumer society show the features of a system that is dominated by cultural ideas with the human sense of orientation. The development of material culture in consumer society necessitates the insatiable pursuit of material objects, because the prospect of material objects comprises the man-material relationship in consumer society and the foothold of consumer society falls on material. As the pursuit is based on the substantiality of material and it tries to avoid the certainty of death, the foundation is unstable and the result is the sense of helplessness in face of death. Transformative operations of signs can lead to different orientations of meaning, and the orientation should be chosen on the basis of good instead of truth. The cultural project that rests on material will not lead us to the orientation of Rood.

关 键 词：物质文化 物体系 消费社会 好的 

分 类 号：G02[文化科学]