基于法兰克福学派文化工业批判理论的“三俗”文化的虚假性及对策  

The Falsity and Strategies to the“Three-Vulgar”Culture Based on the Critical Theory of Culture Industry from Frankfurt School

作　　者：卢巧妹 

机构地区：[1]福州大学马克思主义学院,福建福州350000

出　　处：《怀化学院学报》2016年第7期56-59,共4页Journal of Huaihua University

摘　　要：法兰克福学派在其社会批判理论中深刻指出,现代西方社会的文化工业在需求产生、消费满足和快感获取等方面具有虚假性。当前中国社会,"三俗"文化也存在类似问题:为了追求片面的商业利益,制造虚假的需求,鼓吹虚假的消费,引导虚假的娱乐。为建设积极的社会主义精神文明,在大力发展文化产业过程中,我们有必要进一步践行和培育社会主义核心价值观,健全文化机制,对文化市场进行有效监管,推动高雅文化与通俗文化的消费。Frankfurt School profoundly pointed out in its social criticism theory that the cultural industry of modern western society has its falsity in demand-generating, consumption-satisfying and pleasure-gaining. Nowadays, the ＂Three-Vulgar＂ culture in Chinese society also has similar problems. In order to pursue business profits, the Chinese market even creates false demands, encourages illusory consumption and guides mendacious entertainment. To build a society with the socialist spiritual civilization, the government should further practice and cultivate socialist core values and perfect social culture mechanism in the process of developing cultural industry. What＇s more, the cultural market should also be supervised efficiently to promote the consumption of high cuhure and popular culture.

关 键 词：三俗文化 文化工业批判 虚假性 

分 类 号：G124[文化科学]