深层的共鸣:反战小说《五号屠场》及其视觉再现  

A Deep Resonance: The Novel Slaughterhouse-Five and Its Visual Representation

作　　者：虞建华[1] 

机构地区：[1]上海外国语大学文学研究院,上海200083

出　　处：《解放军外国语学院学报》2016年第4期1-8,16,共9页Journal of PLA University of Foreign Languages

基　　金：国家社会科学基金重点项目"美国历史‘非常’事件的小说再现与意识形态批判研究"(15AWW005)

摘　　要：冯内古特的反战小说《五号屠场》是美国文学中的经典,小说通过多视角叙事、黑色幽默以及事件与幻觉的拼贴式组合,在"潜文本"中表达了对美军"战争道德"的批判。作家的叙事策略和隐性主题给作品的电影改编带来了巨大挑战。乔治·希尔执导的同名电影在深刻理解原作的基础上,根据"等值同效"的原则进行创造性改编,紧紧抓住了作品的精神内核,很好地将原作的风貌以视觉手段呈现出来,也很好地维持了原作的历史指涉和作家的批判基调。Kurt Vonnegut's anti-war novel Slaughterhouse-Five is an important classic in American literature. The novel,by means of multi-perspective narration,black humor and juxtaposition of facts and fantasy,creates a subtext of criticism of the war ethics of U. S. armies in WWII. The narrative strategy and the submerged theme pose a great challenge to film adaptation of the novel. However,with a deep understanding of what is crucial to the thematic essence of the source text,George Hill,the director of the film version,has creatively represented the postmodern classic by following the principle of analogous equivalence,maintaining not only the innovative style,but also the historical reference and the force of criticism.

关 键 词：库尔特·冯内古特 五号屠场 乔治·希尔 电影改编 

分 类 号：I712.074[文学—其他各国文学]