梨园戏在新中国的传承与发展研究  

Inheritance and Development of Liyuan Operas in New China

作　　者：郑红燕[1] 马华祥[1] 

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《龙岩学院学报》2016年第4期117-121,130,共6页Journal of Longyan University

摘　　要：梨园戏在1949年建国后逐渐稳定于福建省梨园戏实验剧团,作为梨园戏唯一传承中心,在60余年的发展过程中,因其严格的师承、坚持对传统剧目的复排、以剧目创新带动剧种创新以及公益演出重新获得了勃勃生机,但也无法避免面临着市场狭小、人才匮乏等剧种普遍面临的问题,又因其作为古老的地方剧种的身份还有着特殊的困境。在梨园戏的当代发展中,通过结合时代精神改变剧目,守护传统,回归乡土寻求新的发展是可以尝试的途径。The Liyuan Opera has gradually stabilized after the founding of Fujian Liyuan Opera Experimental Theatre,which is the only heritage center. For more than 60 years of developing process,such innovations as strict instructions,rehearsals of traditional operas and opera-driven mechanism make public opera performances regain vitality. However,the Liyuan Opera is still facing such problems as small market,lack of personnel, wThich put the local operas in a dilemma. In the contemporary development of the Liyuan Opera,protecting the traditional ones wThile seeking new developmental approaches in the local areas wTill be a trial wTay.

关 键 词：梨园戏 剧种性 传承 发展 

分 类 号：I207.3[文学—中国文学]