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作 者:黄健亮
机构地区:[1]台北成阳艺术文化基金会,中国台湾
出 处:《东南文化》2016年第3期87-92,I0007,I0008,共8页Southeast Culture
摘 要:宜兴紫砂器在明代中期时发展成熟,自明代万历晚期始便开始通过欧洲各国东印度公司贸易、来华船长及高阶船员私运、国家间馈赠或来华使节采购等各种渠道进入欧洲,成为皇室贵族的珍藏。这些原本素雅的紫砂器大多被装饰了繁复华丽的中国图案,被贵族们用来炫耀财富和地位,营造文化品味,并吸引欧洲各国积极仿制,对近代欧洲陶瓷史产生了深远影响。After its maturity in development in the middle Ming time, Yixing purple clay ware started its journey in Europe and became the collections of European royal and noble families from the late period of the Wanli Reign through various channels, either traded by East India Company, smuggled by foreign cap- tains and senior seamen, gifted by Chinese emperors, or purchased by foreign diplomatic envoys. These pur- ple clay wares, which were originally in simple and elegant design, were often added with fancy patterns of great beauty and intricacy as a way for the nobles to parade their wealth and noble status and cultural taste. They fuelled the manufactures of imitations in Europe, which placed profound influence to the European por- celain history of the modern time.
关 键 词:宜兴紫砂 贴花 欧洲 明代晚期 陶瓷史 东印度公司
分 类 号:K876.3[历史地理—考古学及博物馆学] G262.4[历史地理—历史学]
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