基于网络社会受众观影旨趣的电影诗性叙事分析  

The Analysis of the Film Poetic Narrative Based on Interest of Internet Society Audience

作　　者：王冬冬[1] 

机构地区：[1]同济大学艺术与传媒学院,上海201804

出　　处：《同济大学学报（社会科学版）》2016年第4期58-65,共8页Journal of Tongji University:Social Science Edition

摘　　要：电影的本质决定了它具有"神秘的"、"暧昧的"、"多义的"特征,它要求画面以"诗性"对抗传统叙事规则。吉尔·德勒兹认为"生成"和"差异"颠覆了文本的叙事系统中各组成部分之间的有机性,以"宇宙视角"呈现出"去中心化"趋势的"非有机叙事"从一个抵达本质的视角审视了生命的内涵、过程与意义,对应于电影形式系统中风格元素呈现出的"时间—影像",也暗合了具有去时空、去身份、主体化特征的网络社会形态中观众的观影欣赏旨趣。在电影的创作过程中,时间—影像可以通过重构画面中的人物与空间之间的关系、人物和空间的比例关系、镜头的反常规组接、空镜头插入以及重新配置声画关系等手段来改变传统电影叙事中空间和时间的呈现形式。The nature of the film determines its characteristics of being mysterious,ambiguous and polysemous.It requires the picture to be ＂poetic,＂which is against the traditional narrative rules.Gilles Deleuze argues that ＂becoming＂and ＂difference＂subvert the organic nature of the various components of the narrative system of the text,and that the ＂non-organic narrative＂showing the trend of＂digesting center＂by the cosmic perspective examines the meaning,process and significance of life,which correspond with the ＂image-temps＂revealed by the style elements of the film form system and imply the viewing appreciating purport of network social audience.In the process of making films,the ＂image-temps＂can be realized by changing the forms of space and time of traditional film narratives by restructuring the relationship between people and space,character and space proportional relationship in the image,anti-conventional editing,inserting empty pictures,and reconfiguring the relations of sound and images.

关 键 词：电影诗性 非有机叙事 时间—影像 感知 运动—影像 

分 类 号：J90[艺术—电影电视艺术]