论唐诗入乐的三种方式  

Three Ways of Tang Poetry into Music

作　　者：向回[1] 张璐 

机构地区：[1]河北省社会科学院文学研究所,河北石家庄050051 [2]湘潭市委党校公共管理教研部,湖南湘潭411100

出　　处：《石家庄学院学报》2016年第5期82-88,共7页Journal of Shijiazhuang University

基　　金：国家社科基金项目重大招标项目"<乐府诗集>整理与补编"(13&ZD110)

摘　　要：根据歌辞与音乐产生先后的不同,唐诗的入乐可分作由乐以定词、选词以配乐与因诗以作曲三种情况。不管何种入乐方式,都会在一定程度上反映出唐代文人与乐人互相成就的关系;而且同一曲调的不同歌辞,有时还可能以不同的方式入乐。唐代的宫中集体创作多以生产入乐歌词为目的,歌词与乐曲往往差不多同时创制,故而要求歌词与音乐双方能够很容易地匹配起来,使得讲求声律、极易入乐的近体诗在唐代成了一代乐章。According to the order of words and music of poems, the poems into music in the Tang Dynasty can be divided into three ways: set words by music, choose words to match music, compose music for words. No matter what kind of way, to a certain extent, it reflects the mutual facilitating of the scholars and the musicians in the Tang Dynasty. Many words of the same tune sometimes could come into the music in the different ways. The chief purpose of the collective creation in the palace of the Tang Dynasty was to produce the poems with music, and the words and music could be created almost at the same time. The words and the music require match, so modern-style poetry that stresses rhythm and music became a particular literature in the Tang Dynasty.

关 键 词：由乐以定词 选词以配乐 因诗以作曲 

分 类 号：I207.22[文学—中国文学]