宗璞小说中女性与艺术的精神关联  

The Spiritual Connection Between Women and Art in Zong Pu's Novels

作　　者：赵蕾[1] 

机构地区：[1]重庆师范大学文学院,重庆400047

出　　处：《绥化学院学报》2016年第8期58-61,共4页Journal of Suihua University

摘　　要：宗璞小说中的女性形象常常与艺术相连,呈现出女性与艺术间的独特精神关联。艺术之于女性是"一处没有屋顶的房间",她们从中既回归自我又触碰现实。女性在艺术苦难中往往呈现出对苦难的精神救赎,彰显出在历史沉浮中的自我价值与社会价值。对艺术的执着追求过程也是女性自我认同的寻根之途。宗璞以个人化的精致笔触实现了对女性主体的生命钩沉与时代篆刻。The image of women in Zong Pu’s novel and art are often connected, showing a unique spiritual connection between women and art. Art in women is＂a room without a roof＂, which will return to self and touch the reality. Women in the art of suffering often show the suffering of spiritual salvation, highlighting the self value and social value in the history of the ups and downs of the roots and the way of the pursuit of the art of women’s self-identity. Zong Pu’s life and times of female subject are realized in carving with personal delicate strokes.？

关 键 词：女性 艺术 精神救赎 自我认同 

分 类 号：I206.6[文学—中国文学]