曹禺:“中国的易卜生”之路  

“Ibsen of China”CAO Yu's Path

作　　者：洪忠煌[1] 

机构地区：[1]浙江传媒学院影视艺术学院,浙江杭州310018

出　　处：《贵州大学学报（艺术版）》2016年第3期60-71,共12页Journal of Guizhou University Art Edition

摘　　要：曹禺是"中国的易卜生",堪称"中国现代戏剧之父"。文本分析支持这一结论。个性化人物的自我内心剖析、基于"理想与现实"悖论的人物关系格局、复式戏剧结构、戏剧性口语、诗的意象诸剧作元素之综合所表现的现代性,是曹禺受益于易卜生而具有迥然不同于其话剧前辈的开创性之所在。作为20世纪30年代的青年戏剧大师经典,"曹禺三部曲"构成了浓缩版的"易卜生之路"。由于主客观的种种制约因素,"中国的易卜生"之路的迷茫也给世人留下了深刻的反思与教训。This paper elaborates why CAO Yu is viewed as ma＂. What CAO Yu adopted while differentiated from Ibsen lies self-analysis, relationships based on the paradox of ＂the ideal and poetic images. As the classics of the young drama master in ＂Ibsen＇ path＂. Due to various constraints, the bewilderment in ＂Ibsen of China＂ and ＂Father of modem Chinese dra- in the modernity that can be embodied in characters＇ and the reality＂, polyphonic structure, colloquialism 1930s, CAO Yu＇ s trilogy is the condensed version of CAO Yu ＇ s path has made people reflect profoundly.

关 键 词：曹禺 易卜生 现代性 

分 类 号：J805[艺术—戏剧戏曲]