《女娲石》:晚清女权小说背后的男权视角与国家想象  

The Patriarchal Perspective and National Imagination in Feminist Novel in the Late Qing Dynasty

作　　者：令狐兆鹏[1] 

机构地区：[1]运城学院中文系,山西运城044000

出　　处：《山西师大学报（社会科学版）》2016年第4期105-109,共5页Journal of Shanxi Normal University(Social Science Edition)

摘　　要：《女娲石》是描写晚清妇女运动的典范之作,小说描写了女性身体的肉欲和禁欲两级形态,流露出对男性世界的极端仇恨,而这种女性解放实质上对男性世界的拟像,是男权话语操纵的样本。男权立场社会的拟像主要体现在叙事视角、叙事风格、叙事声音的男性化等三个方面。《女娲石》并没有西方女权主义话语诉求的反抗父权的声音,实质上只不过是男性用以救国启蒙的工具,因此,女性自身"身体"并不属于女性自己,而是为民族国家话语所征用,这也是知识分子在民族国家危机时刻焦虑的表征。Nv Wo Stone＂is a masterpiece of describing the women＇s movement in late Qing Dynasty,which describes the two forms of acolasia and abstinence of the female body and reveals the extreme hatred to the male world.This kind of women＇s liberation is in fact simulacra of male world and the sample of patriarchal discourse manipulation. The simulacra of the patriarchal social position is mainly manifested in three aspects,such as masculine narrative perspective,narrative voice and narrative style. Nv Wo Stone does not have the voice of the western feminist discourse to resist patriarchal world. It essentially is the tool of saving and enlightening the country by male. As a result,the female body does not belong to themselves,but to the national discourse,which also reveals the intellectuals＇ anxiety in the national crisis.

关 键 词：女权 男权 身体 民族 

分 类 号：I207.4[文学—中国文学]