试论二里岗文化构成的演变  

A Study on the Evolution of Erligang Culture's Connotation

作　　者：侯卫东[1] 

机构地区：[1]河南大学黄河文明与可持续发展研究中心、中原考古研究所,河南开封475001

出　　处：《江汉考古》2016年第4期44-52,共9页Jianghan Archaeology

基　　金：国家社科基金青年项目“郑州商城与王畿区域聚落考古研究”(项目编号:15CKG009)阶段性成果;郑州中华之源与嵩山文明研究会一般课题“郑州商代前期王畿区域聚落考古研究”(Y2014-9)资助

摘　　要：郑州商城形成阶段的二里头文化至二里岗文化过渡期,既有各种文化特征鲜明的器物,又有各种文化融合之后形成的新面貌,这一时期多元文化因素共存,尚未形成稳定的风格。过渡期之后,形成特征鲜明的典型二里岗文化,但多元文化的遗风犹存;典型二里岗期早段青铜器仍以二里头文化风格为主,典型二里岗期晚段青铜器才形成典型二里岗风格。此后的白家庄期器物的规范化和标准化层度更高,总体上一元文化为主,仍有少量多元文化的遗风。郑州商城代表的二里岗文化构成的总体演变趋势从多元逐渐走向一元,反映了中心都邑逐渐规范化和制度化的过程。In the transition period from Erlitou Culture to Erligang Culture, Zhengzhou City of Shang Dynasty not only included wares of distinct cultures, but also had a new appearance of cultures＇ integration. The connotation of this period is the co-existence of multi-culture. After the transition per- iod, typical Erligang Culture formed, while the multicultural tradition still existed. The style of typical bronzes in early phase of Erligang Culture was still deeply influenced by Erlitou Cultuer. On the other hand, typical Erligang bronze style only appeared in late Erligang period, following with more standar- dized style of Baijiazhuang period according to many unearthed wares. It may indicate a single culture had become dominant, although some multicultural tradition was still co-existed. The evolutional ten- dency of Erligang Culture, represented by the Zhengzhou City of Shang Dynasty, was gradually from multiple to single, reflecting a course of moving twoard standardized and systematized.

关 键 词：郑州商城 二里岗文化 多元文化 一元文化 

分 类 号：K871.3[历史地理—考古学及博物馆学]