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作 者:王立增[1]
出 处:《南昌大学学报(人文社会科学版)》2016年第4期113-118,共6页Journal of Nanchang University(Humanities and Social Sciences)
基 金:国家社会科学基金后期资助项目"唐代乐府诗体研究"(12FZW031)
摘 要:王贞白现存乐府诗20余首,代表了一种保守而又圆熟的创作倾向。他固守旧题乐府诗的创作路径,多选用五言律诗体制,力图在拟写技巧和题旨意趣方面有所超越。他也写了一些改变传统题意或是自制新题的乐府诗,但数量较少,总体成就不高。在当前的乐府诗研究中,类似王贞白的非精英作家常被忽视。其实,他们在"唱和重复"的过程中发展了创作技巧,对乐府诗史的演进产生过一定影响。对其进行深入研究,能使乐府诗史的叙述更加连贯丰富。Over 20 Yuefu poems written by Wang Zhenbai have remained so far which demonstrate a conservative and skillful tendency of poetry creation. Wang Zhenbai kept the old creative paths,selected five- character-regular- verse pattern and aimed at surpassing in drafting skills,themes and purposes. He also wrote some poems of changing traditional concepts and creating new concepts,but few of them have made achievements. On current studies of Yuefu poem,experts find that those non- elite writers like Wang Zhenbai are always neglected. However,these writers develop many skills in the process of "repetition on responsorial poetry"and have a strong influence on the development of Yuefu poem history. In conclusion,keeping in- depth research on these writers would make the statements more coherent and plentiful.
分 类 号:I207.227.424[文学—中国文学]
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