《献天花》历史形态考论  

The Narration and Discussion About "Xian Tianhua " in the Tang Dynasty Palace Music

作　　者：徐文武[1] 

机构地区：[1]河北大学文学院,保定071002

出　　处：《兰台世界》2016年第18期142-145,共4页Lantai World

基　　金：国家社科基金项目"唐大曲曲调详考及与词调关系研究"(14BZW046)

摘　　要：唐教坊曲《献天花》为唐崔令钦《教坊记》所列载的盛唐教坊曲调之一,在相关文献中有《献天花》与《散天花》两种曲调称名。其曲调来源与佛教传入以及唐代佛曲俗用倾向相关,入宋后以《散天花》调名演为词体,在唐宋曲调的演化历史中是颇可注意的一调。Xian Tianhua is a piece of music in Tang Dynasty recorded in Jiao Fangji by Cui Lingqin. There are two types of melody-Xian Tianhua and San Tianhua according to relevant literature. The source of it is related to the introduction of Buddhism and the trend of secular application of Buddhist music in Tang Dynasty. Since Song Dynasty, Xian Tianhua was changed into the genre of Ci, which was worth noticing in the historical course of melody evolution.

关 键 词：《献天花》《散天花》源起 流播 

分 类 号：J609.2[艺术—音乐]