走出定式与盲点:电影符号学研究什么?  

Departure from the Established Research Paradigms： The Academic Focuses of Film Semiotics

作　　者：马睿[1] 

机构地区：[1]四川大学文学与新闻学院

出　　处：《符号与传媒》2016年第2期77-85,共9页Signs & Media

摘　　要：从理论上讲,立足电影经验及其符号事实的电影符号学早就应该突破既有的研究范式。电影符号学既不是某种符号学理论在电影领域的演绎,也不必受制于专业化的电影学,而是一种分析符号实践、意义生产并进而探究人类如何经由艺术实现对媒介的审美占有的人文学科。本文依据媒介发展与艺术发展的动态相关性,对电影影像拓展人类符号实践的边界,作用于审视符号的意义机制和电影的艺术本质作出分析。这也是电影符号学发展新的研究范式,提出新的理论命题的起点。Film semiotics, which deals with the experience and semiotic reality constructed by films, requires a departure from established research paradigms. Rather than focussing on the application of semiotic models in the field of film studies or on professionalised film theories, film semiotics should focus on films＇ semiotic practices and meaning mechanisms, and discuss how films as a form of art achieveaestheticisation via their medium. This paper investigates the dynamic correlation between art and media, analysing how the images in films help to cross borders of semiotic practices, and how the observations on semiosis can provide insights into the meaning-generation mechanisms of signs and the essence of art. These perspectives are then taken to be the starting points of a new research paradigm in fxlm studies.

关 键 词：电影符号学 媒介 艺术 影像 

分 类 号：J905[艺术—电影电视艺术]