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作 者:任伟[1]
出 处:《敦煌研究》2016年第4期74-79,共6页Dunhuang Research
基 金:兰州大学中央高校基金项目"中古敦煌傩文化研究"(13LZUJBWYJ020)
摘 要:敦煌文献P.2569背面《儿郎伟》之前的文书,黄征先生视其为两首诗歌作品,拟名为《银歌》、《金歌》,并未进行释读;张锡厚先生主编的《全敦煌诗》(第12卷)首次释录了该作品,题名为《儿郎伟》驱傩词,但仍有未尽之处。结合图版再次释读,确认该作品是两首与驱傩有关的诗歌,并从几个方面厘定为可能反映敦煌西汉金山国时期宫廷驱傩活动的儿郎伟作品。Dunhuang academic Mr. Huang Zheng previously regarded the texts written on the reverse side of P.2569 as two poems and named them Silver Song and Gold Song, but he did not interpret or collate them. Mr. Zhang Xihou was the first to collate the poems, and he entitled them ErLang-Wei under the category of ancient sacrificial ceremony words in Vol. 12 of his Compilation of Dunhuang Poetry (2006), but his interpretation is not sufficient. Combining the plates, this paper attempts to collate the document again, confirms that both poems are about ancient sacrificial ceremonies, and concludes that they are likely works on the activities of exorcising evil spirits and welcoming gods held by the Jinshan Kingdom court at Dunhuang.
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