后现代语境中的“海鸥”——评当代俄罗斯作家阿库宁的剧作《海鸥》  

The “Seagull”in the Post-modern Context——A Study on the Contemporary Russian Writer Akunin's Play Seagull

作　　者：李瑞莲[1,2] 

机构地区：[1]南京大学,南京210023 [2]大连外国语大学,大连116044

出　　处：《外语学刊》2016年第5期168-171,共4页Foreign Language Research

基　　金：国家社科基金后期资助项目"当代俄罗斯戏剧作品研究"(12FWW005);辽宁省教育厅人文社会科学重点研究基地专项项目"契诃夫戏剧传统于当代俄罗斯戏剧中的呈现"(ZJ2014038)的阶段性成果

摘　　要：当代俄罗斯"新戏剧"作家对戏剧传统与经典剧目发起挑战,运用后现代手段进行戏剧革新实验。阿库宁根据契诃夫名剧改编的剧作《海鸥》恰好体现这一戏剧革新潮流,称为"全部新文学的宣言"。剧作家运用"互文"、"解构"和"非线性情节"等后现代主义策略以及侦探小说的写作技法,充分显示戏剧的假定性特征,塑造言行夸张、内心孤独的戏剧人物。因此,阿库宁的《海鸥》是契诃夫《海鸥》在后现代主义文学棱镜中映照出的失真的影像。Contemporary Russian＂New Drama＂writers challenge the theatrical tradition and classical repertoire by using the post-modernist means to conduct the innovative experiments of theater.Akunin＇s Seagull,a comedy adapted from Chekhov＇s play Seagull,just reflects the trend of dramatic innovation,which is considered as the ＂declaration of all the new literature＂.By using writing techniques of detective fiction and post-modernist strategies,such as＂intertextuality＂,＂deconstruction＂,＂nonlinear plot＂,etc.,the playwright fully exposes the feature of ＂assumption＂in drama,and explores the inner loneliness of dramatic characters with exaggerated words and deeds.Therefore,the Akunin＇s Seagull is a post-modernist literary prism of Chekhov＇s Seagull reflecting the distortion of the image.

关 键 词：阿库宁 契诃夫 海鸥 后现代主义策略 

分 类 号：I106[文学—世界文学]