文化认同与唐太宗《帝京篇》中有关意象的运用  

Study on the Cultural Identity and Images Related to Tang Taizong's Imperial Capital

作　　者：邓秋华[1] DENG Qiu-hua(Section of Personnel Affairs, Shaoguan Universities, Shaoguan 512005, Guangdong, China)

机构地区：[1]韶关学院人事处,广东韶关512005

出　　处：《韶关学院学报》2016年第7期41-44,共4页Journal of Shaoguan University

基　　金：教育部人文社会科学一般项目"建国以来中国城市公共文化空间变迁研究"(11YJAZH128);韶关市哲学社会科学规划课题"珠玑移民叙事研究"(Z2014008)

摘　　要：唐室因杂有胡人血统,因此有尽可能使自己"汉化"的内在动力。唐太宗的《帝京篇》就是这种"汉化"的一种努力。《帝京篇》使用了若干在儒家文化意义系统中具有代表性的意象,通过这些意象的使用,唐太宗展现了自己作为儒家文化正统继承者的合法身份。Tang Taizhong, the great emperor of Tang dynasty, had the potential impulse and motivation to make him a totally Confucian scholar because of his blood relationship with Hu tribe, which was deemed to uncultivated people by Han people. By means of using some special Literary images in his poem works The Imperial Capital; Tang Taizong tried and successfully expressed his legal status as a Confucian and the successor of the orthodox culture of Han nation.

关 键 词：唐太宗 帝京篇 文化认同 文学意象 

分 类 号：I206.2[文学—中国文学]