对祖宗雕塑像的历史考察  

Investigation of the History of Ancestor Sculpture

作　　者：吴灿[1] 

机构地区：[1]中南大学中国村落文化研究中心

出　　处：《雕塑》2016年第4期26-29,共4页Sculpture

摘　　要：祖宗雕刻像是家属为留住先人的遗容而制作的具有纪念性的像即祖宗像。祖宗像在明清时期的滥觞,是一个值得关注的现象。目前,学术界对于祖宗画像的研究较多,但对于祖宗雕塑性像则几乎没有人涉及。本文拟就这一选题,围绕丁兰刻像的故事及图像、与祖宗雕塑像相关的文献及实物、神性与世俗性的交融这三个方面展开历史考察。Ancestor sculpture is a kind of memorial artwork that remained ancestors＇ faces, which created by the family members. Ancestor sculpture was quite popular during Ming and Qing Dynasties, which was a kind of situation that worth considering. Nowadays, in the academic circle, there are many researches in relation to ancestor painting, however, there only have little explorations about ancestor sculpture. This article indicates historial researhes about story and image of Ding Lan sculpture, documents and objects that related to ancestor sculpture, and the combination between divinity and secularity.

关 键 词：祖宗像 雕塑 丁兰 

分 类 号：J313.1[艺术—美术]