从封建文人的富贵神仙歌到悲喜交加的磨难曲——改编自《聊斋志异·张鸿渐》的两种俚曲  

From The Song of Glorious Gods of Feudal Literatil to Bittersweet Ordeal——Which Two Folks Adapted From ZHANG Hong-jian in Liaozhaizhiyi

作　　者：郑秀琴[1] ZHENG Xiu-qin(College of literature, Tianjin Norton University, Tianjin 300387, Chin)

机构地区：[1]天津师范大学文学院,天津300387

出　　处：《蒲松龄研究》2016年第3期250-258,共9页Study on Pu Songling

基　　金：教育部人文社会科学研究项目"<聊斋志异>在清代的传播"(项目编号:12YJA751085)

摘　　要：蒲松龄的聊斋俚曲代表了他在俗文学领域的杰出成就。改编自《聊斋志异·张鸿渐》这篇小说的俚曲有两种——《富贵神仙》和《磨难曲》,后者代表了蒲氏俚曲的最高成就。尽管二者取材于同一篇小说,在思想和艺术上却可以看出作家创作态度、世界观和创作手法的显著变化;这两种俚曲还具有聊斋俚曲的共同特质:"俗"与风趣幽默。Liaozhai folk songs written by Pu Songling represent the highest achi- evement of him in popular literature. These two folk songs adapted from Zhang Hong-jian,such as The glorious gods and The Ordeal. There are distinct differe- nces in thinking and art,though they came from the same novel. We can unders-tand his changes in creative attitude,world outlook and writing skill. The two folk songs are all popular and humour.

关 键 词：张鸿渐 聊斋俚曲 富贵神仙 磨难曲 

分 类 号：I207.37[文学—中国文学]