“图真”的企图——以豫西北地理背景中《匡庐图》的比对为例  

The Real Attempt of “Conformity to Fact”The Comparison of Geographical Background of Northwest Henan in Kuang Lu Painting

作　　者：刘伟[1] 

机构地区：[1]河南理工大学建筑与艺术设计学院,河南焦作454001

出　　处：《河南理工大学学报（社会科学版）》2016年第3期367-373,共7页Journal of Henan Polytechnic University:Social Sciences

基　　金：教育部人文社会科学研究青年基金项目(15YJC760064);河南省哲学社会科学规划项目(2014CYS025)

摘　　要：荆浩所作《匡庐图》是流传至今最早的全景山水画,该作品体现了豫西北地区的山川容貌特征。以《匡庐图》对于该地区的地形、地貌的"图真"描绘为考论依据,着重从作品的图式与自然地貌的内在联系,寻求作者是依照何种样式将地理背景中的自然图像转换为作品形象,继而比对同处于此地理环境中的郭熙、李唐等画家的作品,从形式语言的差异等视角来解析《匡庐图》对于"图真"的真实企图。Kuang Lu Pai nt i ng by Jing Hao, the oldest panoramic landscape painting so far, depicts fea-tures of mountains and rivers of northwest Henan. Through analyzing how the topographic features depic-ted in Kuang Lu Pai nt i ng confirms with the real topography, we attempted to find out the means by which painters convert natural images to paintings. We then compared K u a n g L u P a i n t i n g with works of Guo Xi and Li Tang, and studied Jing Hao ’ s attempt of “ conformity to fact” in terms of formal language.

关 键 词：图真 豫西北 地理背景 《匡庐图》 

分 类 号：J20[艺术—美术]