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作 者:凯丽比努尔.色提尼亚孜 李继凯[1]
出 处:《山东师范大学学报(人文社会科学版)》2016年第4期31-37,共7页Journal of Shandong Normal University(Humanities and Social Sciences)
基 金:国家社会科学基金重大项目"延安文艺与20世纪中国文学"(11&ZD113)子课题"重要作家作品研究"的阶段性成果
摘 要:自"五四"以来,现代文人的"西游"以及"走丝路""走西口"现象值得我们关注。茅盾等人不仅到过新疆、西安、延安等地,而且在这些地方工作的同时还写作不辍。鲁迅生前虽然没有到过延安,但在延安依然有巨大影响;鲁迅更没有到过新疆,却也对新疆文学包括维族文学产生了深刻影响。鲁迅的"西游"是文学传播、精神影响意义上的文化现象,跨地跨族的现当代文学的"血脉"是相通的。通过鲁迅对维吾尔族当代著名作家买买提明·吾守尔的影响,尤其是通过短篇小说讽刺艺术的比较分析,可以看出鲁迅文学艺术在新疆的深远影响以及吾守尔等新疆作家对鲁迅的接受情况,同时也可以看出两位作家在讽刺艺术上的异同,这有助于人们对其短篇小说讽刺艺术有一个更加清晰的认识和了解。It is worth to pay our attention to the phenomenon of modern scholars' "touring westward", "taking the silk road" or "moving westward" since the May 4th Movement. Mao Dun and other writers had not only been to Xinjiang, Xi' an, Yan' an and other places, but also continued writing while working in these places. Although Lu Xun had not been to Yah' an in his lifetime, he still had a huge impact on the city; Lu Xun hadn' t been to Xinjiang, but he had exercised a profound impact on the literary circles of Xinjiang including the Uighur literature. Lu Xun' s "touring westward" is a cultural phenomenon in the sense of literature dissemination and spiritual influence; cross-regional and cross- ethnic "blood vessels" of modern and contemporary literature are really connected. Through Lu Xun' s influence on Uyghur outstanding contemporary writer Maimaitiming Wushouer, and especially through the comparative analysis of the satire in the short stories of the two writers, it can be seen that Lu Xun' s literature and art had a profound influence on Xinjiang and that Lu Xun was accepted by Xinjiang writers represented by Maimaitiming Wushouer. At the same time, the similarities and differences between the two in the art of satire can be observed, so people can have a clearer understanding and more knowledge of the art of satire in their short stories.
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