他者的侵凌与自我的毁灭——张爱玲小说的拉康式解读  

Bullying of the Other and Destruction of the Self:A Lacanian Interpretation of Eileen Chang's Novels

作　　者：凌晨[1] 宋萍萍[1] 

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《安徽农业大学学报（社会科学版）》2016年第5期99-103,共5页Journal of Anhui Agricultural University:SOC.SCI.

摘　　要：张爱玲小说中始终存在着"自我"与"他者"的二元对立结构,因受到他人的制约,其笔下的人物难以完成自我建构,个体甚至因他者的入侵而走向异化或毁灭,这与拉康哲学中关于自我与他者关系的论述相契合。借助拉康镜像论、凝视论、他者论来解读张爱玲小说中自我与他者的关系,可深入发掘其笔下人物的自我建构过程,细致辨析张爱玲运用的"窥视"笔法,通过《传奇》增订版等具体个案分析他者欺凌与自我毁灭的二元构成。从拉康式精神分析的视角观照张爱玲创作,有利于多角度地深入思考张爱玲小说的精神内涵。In Eileen Chang＇s novels there is always a binary opposition of ＂the Self＂ and ＂the Other＂. Due to the restriction of the Other, characters in her novels always have difficulties in completing self-construction and some individuals even move towards alienation or destruction because of the invasion of the Other, which accords with the discussion about the relationship between the Self and the Other in Lacan＇s philosophy. If Lacan^s theories of mirror stage, gaze and the Other are used to interpret the relationship between the Self and the Other, the process of characters＇ self-construction can be easily figured out, Eileen Chang＇s ＂peeping＂ writing technique be carefully analyzed, and binary structure of bullying of the Other and destruction of the Self be studied through the case of the novel Legend （revised and enlarged version）. Analyzing Eileen Chang＇s writing from the perspective of Lacan＇s psychoanalysis is beneficial to gain a deep understand of spiritual connotation of Eileen Chang＇ s novels.

关 键 词：张爱玲 拉康 自我 他者 

分 类 号：I712.074[文学—其他各国文学]