惶恐背后的出路  

The Way beyond Fear

作　　者：田媛媛[1] 

机构地区：[1]西北大学外国语学院,西安710127

出　　处：《襄阳职业技术学院学报》2016年第5期80-83,共4页Journal of Xiangyang Polytechnic

摘　　要：哈罗德·品特在战后英国乃至世界戏剧舞台上都占有着极其重要的地位。品特戏剧的独特魅力在于难以界定、模糊而流动的"品特风格",寓真实于荒诞的舞台效果。《归于尘土》继承了品特一贯的写作风格。戏剧中人物间隐藏在只言片语下的矛盾冲突,剧中弥漫着无处不在的威胁恐惧,经受过历史暴虐的创伤个体时时表现出的惶恐不安是这部剧作的主要标签。《归于尘土》是终日处于惶恐不安的女主人公瑞贝卡在丈夫德夫林的审问下的一个关于创伤记忆的历程。文章从创伤心理理论和心理分析批评角度阐述瑞贝卡如何试图反抗暴虐记忆的侵袭,寻找摆脱"丧女之痛"出路,将创伤记忆外化为叙事记忆,从而走出创伤,走出惶恐,达到心灵的宁静。Harold Pinter＇s products play a very important role in the postwar England and the world＇s drama stage. The unique charm of his products rest in the difficulty to define, fuzzy and flowing of the ＂Pinter style＂,and reality mixed with absurd of the stage effect. Ashes to Ashes has inherited his writing style. The major labels of this drama are the hidden conflicts under the fragment, the ubiquitous threat fear filled in the whole drama,and the trauma showed by the individual who suffered from the brutal history. Ashes to Ashes is about the recall process of Rebecca, under her husband Devin＇s interrogation, and who is in the all day long panic. From the perspective of psychological trauma theory, this article describes how Rebecca tries to rebel against the tyranny of invasion, looks to get out of the way from the pain of loss of her baby, narrates the traumatic memory, and thus gets out of the wound, out of fear, and finally achieves spiritual peace.

关 键 词：哈罗德·品特 创伤记忆 惶恐 出路 

分 类 号：I561[文学—其他各国文学]