现代少数民族文学创作与汉文学的关系研究  

The Relationship between Modern Minority Literature Creation and Chinese Literature

作　　者：肖慧[1] 

机构地区：[1]华中师范大学语言与语言教育研究中心,湖北武汉430079

出　　处：《贵州民族研究》2016年第9期140-143,共4页Guizhou Ethnic Studies

基　　金：教育部人文社会科学重点研究基地重大项目"汉语言测试的评价标准研究"(项目批准号:12JJD740002)的研究成果之一

摘　　要：民族文学和汉文学关系紧密,特别是现代民族文学更是被认为是对汉文学的模仿同构。这种结论并不是空穴来风,无论是在创作方法、创作视角、文学理论、创作审美等方面,民族文学都和汉文学保持了高度的趋同性。民族文学对汉文学的模仿源自前期民族文学作品的影响、民族文学创作者的汉语学习经历以及创作者特殊的思维。对这种文学模仿需要理性认知,才能使这种关系成为民族文学和汉文学关系的过渡而不是结果。Close relationship between national literature and Chinese literature,especially modern national literature is considered to Chinese literature of mimetic isomorphism. This conclusion is not groundless. Both methods in the creation,creation angle of view,literary theory,aesthetic creation and so on,national literature and Chinese literature are maintained the high degree of homoplasy. National literature to Chinese literature imitation from the influence of early ethnic literature,national literature creators of Chinese learning experience as well as the creator of special thinking. On the literary imitation requires rational cognition,in order to make this relationship for the transition to the national literature and Chinese literature relationship rather than the result.

关 键 词：民族文学 汉文学 模仿 

分 类 号：I207.9[文学—中国文学]